A review of “Dark Eden”, by Chris Beckett
I picked this up in a charity shop in Aberdeen: I’ve been in that shop a dozen times and bought nothing. Then, I go in on a rainy September morning, on the way from one meeting to another, and find not one, not two, but three books. I’m reading all three at once; this one I have finished already.
“Dark Eden” explores what might happen a few generations down the line, if a very few people – in this case, just two – found themselves having to scratch a living having landed with little or no equipment on a deeply unsuitable world. Stephen Baxter covers similar ideas in his “pendant” short stories “Earth II” and “Earth III”. Heinlein touches on it in a brief aside in “Time enough for love”.
Beckett neatly side-steps the science. It is not necessary to explain the biology and geology of his strange sunless world, quite literally enlivened by bizarre geothermal trees. But we’ve seen the life on geothermal vents on the seabed – such things are more than plausible. His forests are islands full of life and light, in a sea of darkness, snow and ice. In the story, the protagonists travel from one such island to another, to make a new life where there is more game, more space, more resources. It is an ancient story, going back a million years on our own world.
Where the story excels, is in dealing with human relationships. It deals head on with the very serious consequences of inbreeding several generations in from just one man and woman. Many of the population have cleft pallettes, hare lips and club feet – and are looked after by their healthier, luckier siblings. Truly a dark Eden, but with the warm light of compassion only now starting to flicker. The primitive society that has formed from the original couple is matriarchal, and the heroine can see that the time for this is ending, and that “the time of men” is coming. The hero, John Redlantern, as well as being a visionary, a Moses who leads his people through the wilderness, is also the first to commit murder, a destroyer of tradition and stability, and also inherently self-centred – it’s all about him.
Wikipedia describes the novel as “Social science fiction” which may not be flattering. But, “social science” is all over the story. Many important ideas are discussed. We see how hunter-gatherers can lay waste to swathes of forest over generations. We see how a matriarchal society can work where there is plenty – but how such a society begins to break down when resources are scarce. We see the effects of inbreeding. We see the importance of tradition in retaining knowledge in a society where there is little or no learning.
What I liked is that this is no dystopia: though things are going wrong, though things are changing, from beginning to end, there is a positive dialogue with what is happening and what has happened. In a genre where so often we find stories focusing on the negative – the very dark but excellent work of Richard Morgan and Alistair Reynolds are just two examples – it’s refreshing to see a positive outlook.
Great post. I interviewed Chris recently, check out my blog if you want to see what he has to say.b
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