Under the apple tree – a concert at Cadogan Hall

Yesterday to London, to see a concert at Cadogan Hall. We took train in the grey afternoon at 1623, accompanied mostly by homebound schoolchildren. We dawdled a little near Victoria. We popped into the “Turkmen Gallery“, a wonderful, rich, deeply colourful shop on Ecclestone Street that is quite literally an Aladdin’s cave of carpets and artifacts from central Asia. Then we went for an early supper at the Thomas Cubitt on Elizabeth Street. My wife had the fish pie, and I chose the fish and chips in order to try the “triple cooked chips”, which did indeed live up to high expectations. We shared a dessert as the light faded outside and the nearby shops lit up.

Thence through the gloaming towards Sloane Square and Cadogan Hall. The hall is a rather beautiful former church, built in the early 20th century, tastefully converted into a venue with 900 seats. It is the home of the Royal Philharmonic Orchestra, and hence a venue with a rich and deep musical tradition.

This concert was hosted by “Whispering” Bob Harris, the DJ, under his https://www.undertheappletree.co.uk/ brand “bringing attention to amazing artists who deserve to be heard by everyone”. I confess that whilst of course I’ve heard of Bob Harris, I’ve never listened to his programmes. In person an affable older gent, he introduced four very different artists: Judie Tzuke, Jamie Lawson, Emily Barker, and Catherine McGrath. The four of them came and sat in a semi-circle on the stage. Judie Tzuke and Catherine McGrath were accompanied by professional guitarists, although the latter did play guitar herself.

They each sang in turn, and the rest of the time, sitting politely and listening. They spoke of it being the first time they had played live since COVID-19 changed everything. Their singing was delightful; there was no bad nor weak song in the entire set. I think each artist sang four times.

Judie Tzuke sang clear and bright. Jamie Lawson spoke rough and ready and a little vulnerable, perhaps, but his singing voice blew the room away and to be honest, for me, he stole the show – even in such august company. A very powerful and distinctive voice. Emily Barker is also a powerful and distinctive singer whose voice soared out into the hall. We saw her play at a benefit gig at a church in rural Surrey some years back, and well I remember her voice from that night. Catherine McGrath proved to be a listenable and engaging Country music singer, clear and sweet in tone, a daughter of the Emerald Isle.

All the songs were accompanied by some outstanding and exceptional guitar. Notwithstanding Jamie Lawson noting in a self-deprecatory tone that he “only knew three chords” his playing, and perhaps that of Emily Barker, stood out for me – but that’s not to do down the other players. As a guitarist myself I found all the guitaring excellent, inspirational and encouraging. Bob Harris did note at the end that Country music has advertised itself as “three chords and the truth”. It was ever true that most modern guitar-based pop and rock music is just three chords – but that misses the nuance and technical brilliance of some of the arrangements we heard tonight.

In conclusion, this was a great show, with four very different artists singing a range of very special songs. I was touched by the relaxed, accessible, normalness of the artists – not megastars, but people who sing and play for a living to bring pleasure and joy to others. If I took anything away as stand-out special, it would firstly be Jamie Lawson’s powerful singing voice – particularly when he got passionate and really let go – and Emily Barker’s songs: her guitar arrangements and sweet singing. A great night out for a first after the time we have been through.

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