I was given a copy of this book by a family friend. She may have bought her copy direct from the author, for we read in the endpapers that Michael Anthony lives at Melbourne in Derbyshire, only miles from where our friends live in the big-sky country of the Trent Valley. The cover of the paperback has a drawing of a little African girl drawing the title of the book on the wall.
I had no expectations other than the recommendation of my friend, which was enough. I was not disappointed. The author covers a tremendous amount of ground. The action moves from Ulster during the Troubles, to South Africa in the time of apartheid, and on through to the modern era. We move from seeing things from the viewpoint of the Catholic Irish in Ulster, to seeing the position of native black and coloured Africans in the rural Transvaal, during the time of apartheid. SPOILER ALERT: Feel free to stop here if you don’t want the plot revealing!
The author is a former special forces soldier and will have seen and done much. Experience always illuminates good writing. We start, following a rough Belfast childhood, with the IRA’s guerilla war in the cold, damp darkness of Ulster in the 1970’s. Very “Harry’s Game” – there’s even a Catholic priest working toward the spiritual and practical support of the IRA. On that note, this would make an excellent film.
The action moves from the Emerald Isle to the Transvaal – a place not unlike Ulster in that it was fast stuck in the deep-rooted hatred, bigotry and intransigence of a Protestant overlordship. The story continues, skipping lightly over years, until suddenly, something dramatic happens. Then, there is a moment when you hear the sound of “lock and load” and you think the book is going to descend into traditional “lone wolf military hero takes on the baddies and wins” territory – as have a hundred lesser books and films.
But it never happens! Interestingly, the author puts some words into the mouth of a senior IRA officer, describing our hero thus: “he does not operate within the parameters of predictability”. I paused at that point to stare into space: do I act within “the parameters of predictability”? Am I predictable? Of course I am. For me and for most of us, it is no weakness to be predictable. But for the professional guerilla soldier, being predictable is death. For such people, to be unpredictable is an essential strength. Michael Anthony’s novel has this strength. It take unpredictable turns. The author does not always “operate within the parameters of predictability”.
From a moment of wild violence, to a court room drama – our hero ends up in prison. And you think, he’ll be out soon. But again, this is not a predictable book. It does not become a prison memoir, and he is not released. In the turn of a page, nineteen years have passed and our hero is a white-haired old man whose life has been spent in hard labour. I’ve not even mentioned the little girl on the cover of the book yet! She plays a central role. I will say this and no more: I mentioned “Harry’s Game” earlier; in Gerald Seymour novels, the hero always dies before the end…
The book covers the indomitability of the human spirit and shows human courage unto death. We see the deep-rooted nastiness and hatred that can arise when things turn sour for generations without end, even for centuries – as in Ireland, as in South Africa, as in the Balkans and elsewhere. Whilst this was an excellent and captivating read, in the end, I thought the author kept redemption and reconciliation under tight control. I think redemption needs letting loose – it cannot be kept in or caged.