Tag Archives: derby

Walk the city, see the centre, feel the heartbeat

Posted on by
Reply

An old aunt has gone home to glory, full of years; the last of her generation. I travelled to the funeral to honour her memory, respect my family and to catch up with my cousins. Today, to Derby for the funeral of that last remaining aunt: I travel to London from my home and walk north across this great city toward St Pancras. After my walk I sit in the Black Sheep Cafe on the Pentonville Road, within sight of the vaulted roof of St Pancras station, and reflect on what I have seen. I’ve walked almost at random through the city streets. Why? Because I can. Because of what I might see, because of who I might meet, what I might learn.

First, Blackfriars: a railway station built on a bridge across the Thames. I walk up towards Holborn viaduct, crossing Fleet Street. At one set of lights, the first six cars to pass me were electric vehicles. Ladies and gents going to work. Beards and bare legs: it is warm weather. Buildings I never saw before; streets I never walked along. A man rides past with one of those dignified little lap dogs sat in a front box on his bike. I consider renting a Boris Bike, but decide not to. Men are working on rooftops. Here in Holborn, a jewellery quarter. Further north, leafy residential streets and red-brick tenements. A junior school. Dentists. An Asian grocer. This is inner London. On Grays Inn Road, I even saw a uniformed policeman.

St Pancras International: this station is like a church to me; it is a temple of all that the railway should be. Also, it has been close to the start and end of dozens of significant journeys, right back into boyhood. I first came here, to my knowledge, for the Queen’s Silver Jubilee celebration in 1977. Now it is Her Majesty’s Platinum Jubilee, 45 years later. Most of all I recall coming here in the late 1980’s and early 1990’s, to the tired, grimy and neglected station of the old London Midland Region of British Rail. I remember the old high-ceilinged booking office – now a fancy restaurant. There are railway nostalgists who prefer the station as it was then, but I think it is tremendous, and a great improvement. Today, in my view, St Pancras is in its pomp.

Sitting upstairs in front of the silent electric Eurostar trains all lined up in a row, I can see two grey-beard older brothers taking brunch together at Carluccio’s. A warm wind blows food smells over me, and outside, it is sunny. But here amongst the marble floors and under the magnificent pale blue roof, all is quiet save for the murmur of electric motors and the occasional explosive hiss of compressed air from the trains. Here, I am off the beaten track. Recently a colleague of mine was lamenting the Lake District as being “too busy”. Get off the beaten track, I told him. It’s not difficult. It’s certainly not difficult here at St Pancras.

Arriving in Derby, I walked through the “Castle Ward” and the shopping centre, bringing me out onto East Street. I detoured around a bit, having time to kill. Derby is my home town and I would visit it even if it was rubble and ruins, but like many British provincial cities, its heart is blasted, wasted, almost dead. It is unfortunate but it is not unique: Southampton and Aberdeen, provincial cities whose centres I know well, are not that different. The reasons for the death of the inner city are complex, but the collapse of walk-in retail – people going into actual shops – through the rise of the internet, will have played a part.

I walked down Sadler Gate, along Bold Lane and up St Mary’s Gate. Up past the Cathedral and onto St. Mary’s for a Roman Catholic funeral mass, something I don’t do very often. Then, with some relatives to the crematorium, and onto a wake. The wake was held at a pub named after a railway – the Great Northern. The pub stood on a road built to access a railway that no longer exists. It’s still called Station Road, but you’d have to have an interest in industrial archaeology, if you weren’t from round here, to know where the railway station was. That’s modern Britain for you.

A sermon from the late Rt Revd Richard Hare

Posted on by
Reply

Here is a sermon that was preached at St. Alkmund’s, Derby, sometime in 1994. It was towards the end of Paul Corrie’s time, and occurred on the eve of the congregation moving to two morning services, St Alkmund’s having grown massively in the previous ten years, and the hall was no longer large enough for just one service of 500 or more people.

Richard Hare was a suffragan bishop well-known for his Charismatic tendencies. Though at this point he had been the Bishop of Pontefract for 21 years, he was heavily supportive of the Charismatic movement. He speaks here after his retirement, at the invitation of the vicar Reverend Paul Corrie.

I vividly remember the sermon being preached. Richard Hare’s beautiful spoken English, his “cut-glass accent”, and his exquisite professional timing as a public speaker, have remained with me ever since. It is fair to say that such public speaking and preaching as I have done myself, has been influenced by this one sermon – most particularly his professional timing.

At one point he recounts a poem created by a nun, in which the nun says to the Virgin Mary, thinking of her saying “yes” to the angel, as a young girl, when she replied, “it will be as you say”:

“In nine long months, in thirty-three short years, in three eternally long hours, did you never wish that yes…………………….unsaid?”

His pause between “yes” and “unsaid” was theatrical – and just exactly right.

Listen and enjoy here.

All the landscape was the mill

Posted on by
2

A crowd of ladies from a faraway land, each dressed in brightly coloured fabrics, would come chattering past the house each day. They would sweep along every morning and evening, their conversations bright, adult, and quite incomprehensible in some unknown language. The little boy asks, who are those ladies? His mother tells him that they all work in the mill at the bottom of the street.

The boy learned a lesson young: who you are and what you are can be seen from where you’re going – and when. The direction you’re walking, and the time of day, tells us something about who you are.

At the bottom of the street, a crossroads. Go left into a quiet lane past the allotments to the edge of town. Go right past a bowling green smooth like a billiard table, to a sweet shop. Straight on, to the park, to school, to Cubs. The crossroads of our lives – turn each way for different lives, different paths. People will know where you are going, when you walk through these streets. Here, brick and tarmac, there, woods and quiet shrubs and grasses. Straight on – for play, and for learning.

The sepia stains of history lie on these streets, or at least it seems so, to the boy and to the man he became. Here, a grandfather swam in an outdoor pool. There, a street where an unsmiling lady stood in a crowd of joy and cheers, struggling to see the good in VE Day. Over there, the flats, and the outlines of vanished streets. The streets are gone, but the memories remain, thick like dust, easy to discern if you’re the right sort. Listen carefully, even today, and you can hear the treble drone of bombers, or the wretched tears of poverty, the grinding life of the urban poor.

He came back to those streets in a kind of pilgrimage, thinking somehow to reconnect with the past, with the feeling of those early days. If he could represent his childhood. all the carefree years of boyhood, as an icon, that icon would be a little image of the mill at the bottom of the street. He walked past that mill every day for years uncounted, it seemed to him when he was young. Endless weeks, he went past that mill, morning, afternoon, evening. And he never went inside it, in all his life.

As a young man, he’d sat with this father watching old Laurel and Hardy movies. They were amusing; there were wry smiles. But even as he watched them, he found that they were just not as funny as they had been when he was a small boy. He’d mentioned this to his father, who’d shook his head with the greybeard wisdom of ages. “The boy who rolled around laughing on the floor at these movies, no longer exists”, he said. The boy became the man, the young man became the older man.

Could these streets ignite a kind of holy nostalgia? Could they form a harbour into which a pilgrim might sail, to sojourn briefly in the past – a visit only. Not to remain. The mill was still there; the streets were still there. The crossroads by the bowling green was unchanged. The municipal lines of alternating plane trees and lime trees in the park – still there, save for a few gaps caused by storms of old.

Walking in past the park, he’d noticed that no single youngster was out playing. It was 4.30pm on a spring weekday afternoon. The roundabouts were siezed and rusted, the swings abandoned, it seemed. Where was everybody? Where were they all? He knew, really. No Marie Celeste mystery here. Just the modern world, risk averse, focussed on itself, with smartphones, tablets and unwillingness to be out of doors.

The mill was the fixed point – all the landscape was the mill. But there was no river of bodies pouring down the street to find work there. That river had dried up long ago. Here had been a future for hands of skill. No longer. That much had changed even in his own youth. What remained now, was clearly foreseeable even back then – if you could read the writing on the wall. What had been a mill making clothes, was now a university department. It was a department covering such matters as textiles and art, so there remained a tenuous connection with what had been. On the river of time, you cannot paddle upstream. That river flows only in one direction.

He walked up the street, remembering the red and blue bricks in the pavement. He recalled cycling down the street on a baking hot day, trying to keep in the shade. The baleful sunlight of reality was upon him now, beating mercilessly on his head. No golden light of evening, nor delicate pink at dawn, but scorching tropical sunshine at noon. A sunshine, as Kipling wrote, that sometimes strikes men dead.

Yet, though saddened, he knew things had to change. There is no going back. There’s no returning to those places of golden childhood. Nostalgia is a hip-flask from which we can allow ourselves no more than a discreet sip, every now and then. If we look back, we must look in thankfulness, not in nostalgia.

Treading his way up what he thought was a dried up riverbed, he noticed that there was a new river of bodies making their way to the mill, young people, people learning. people looking to the future. And reassured somewhat, he left that harbour and sailed away back home.